![]() SEE ALSO: Plugins Modeled After Analogue Gear.It adds a Parallel Mix control, a Sidechain Filter, and an External Sidechain option in the proprietary toolbar. The latter regularly runs sales and offers coupons, so you can find the Shadow Hills plugin for under $100-an absolute steal.Īnd like any good digital emulation should, the Brainworx Shadow Hills Mastering Compressor plugin has some practical additions over the hardware. Developed by Brainworx, the UAD Shadow Hills runs on dedicated DSP in Universal Audio world, while the native version can be picked up at Plugin-Alliance. Not only is it a fraction of the cost of the hardware, but it sounds on-par as well. That being said, the Shadow Hills Mastering Compressor plugin is awesome. Think about it: you could buy a stereo pair of UA Classic 1176s and Distressors, brand new, and still save money over a Shadow Hills. It’s totally unobtainable for the average engineer and even though it is flexible in its own way, it’s not a Swiss Army compressor like some others can be. The Shadow Hills hardware costs about $10,000. Shadow Hills Mastering Compressor Hardware vs. So even though it has ‘mastering’ in its name, it’s perfectly happy on any bus or stereo/dual-mono instrument. You can run the Shadow Hills in stereo or dual-mono depending on the application. Finally, the steel transformer opens up the material with a fast and detailed response, and a very small boost around 40 Hz to lock down the low-end richness. Plus, it goes through a Class-A output stage that only passes even-ordered harmonic distortion for some of that analogue goodness. Then comes the iron transformer, which has a natural high-end with a minimal boost around 110 Hz. The nickel transformer is perhaps the most natural of the them, letting the low-end breathe while smoothly enhancing the highs. The three options are steel, nickel, or iron output transformers to get the recognizable sound of different styles of analogue consoles. Switching between these makes a subtle but interesting sonic shift, letting you choose the right character for the material. The Shadow Hills Mastering Compressor provides excellent tone control thanks to its three selectable output transformers. You can run the Optical and Discrete sections together or separately, essentially giving you three modes of compression in one unit. The Discrete compressor provides more precise control over attack, release, and ratio. ![]() Technically, it takes over where the Optical stage leaves when running two-stage compression. ![]() Shadow Hills’s Discrete section works on a VCA design. It’s based on the classic compressor from the ’60s we all know and love. The Optical mode is fairly straightforward, featuring only Threshold and Makeup Gain controls. It sports both Optical and Discrete modes with three switchable output transformers for different flavors. This beast of a bus compressor is actually three-in-one. For engineers who need unrivaled dynamic control, the Shadow Hills gets the job done. The thing is a monster, equally recognized by its imposing looks and its premium sound. The Shadow Hills Mastering Compressor is nothing short of a modern classic. ![]()
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